In addition to the rooms and chambers, T-RackS Sunset Sound Studio Reverb also offers two of Sunset’s vintage plate reverbs, an EMT 140 and Echoplate, as well as their AKG BX-20E spring reverb. It even captures the essence of their custom consoles and classic mic collection, making it the closest thing you can get to tracking in the studios themselves-all in an easy-to-use plugin. Now IK Multimedia’s T-RackS Sunset Sound Studio Reverb lets you step inside these rooms at Sunset Sound, recreating the sonic vibe of each of the echo chambers, live rooms, and booths from all 3 of the studios. He even went so far as to live in Studio 3 for stretches at a time! We’ve done many projects in Studio 3, which is known as the “Prince Room” since he tracked so much of his work there between 19. With such a rich history, it’s no wonder we spend so much time there. Needless to say, the energy at Sunset Sound is incredible. The Doors very famously made their first two albums, The Doors and Strange Days, at the studio as well! The AES/EBU output can be POW-R dithered to 16, 20 or 24 Bits.Albums like Prince’s Purple Rain, the Rolling Stones’ Exile on Main St., the Beach Boys’ Pet Sounds, Linda Ronstadt’s Don’t Cry Now, Guns N’ Roses’ Chinese Democracy, Janis Joplin’s posthumously-released Pearl, and other hit albums by Elton John, Led Zeppelin, and Van Halen have all been recorded there. The digital input/output are in AES/EBU format on XLR connectors. A very low noise filter architecture optimized for audio is used. The internal processing of the Weiss DS1 Mk3 is done at 88.2 or 96 kHz in a 40 Bit floating-point format. The LCD shows the overall frequency response, the detailed parameter values and various status information. The knobs are touch sensitive to switch the LCD to display the parameters of the touched band. There are seven times three knobs in order to have “one knob per parameter” operation. Other specialties are variable slope shelving filters and very high-Q (up to 650) peaking filters for notching out offending frequencies. The EQ1 can be switched to M/S mode which is especially useful for the dynamic model of the EQ1. Other basic features of the Weiss DS1 Mk3 are an A/B compare memory, a 128-position snapshot bank with two additional banks for back-up (can also be dumped/recovered via MIDI), a peak meter with over indicators, MIDI control for each parameter, an overall bypass switch, and an overall gain control, a channel ganging switch. Each band has Boost/Cut, Frequency and Q/Slope knobs and operates in any of the following modes: High shelving, low shelving, peaking, high cut, low cut, bypass.
all seven bands cover the entire audio frequency range. The basic features of the Weiss DS1 Mk3 are common to all four models, namely the seven identical parametric bands, i.e. The Weiss DS1 Mk3 is a full-band compressor, limiter, and de-esser with M/S mode and parallel compression facilities. The Evolution of Sony Signal Processors.
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